Kajal gets a small but exciting role to play. He is hell bent on changing the Gen X who live and bury themselves in the screens of their smart phones. A hunk to fall for, a son who's venerated like his father, a lover who makes his loved ones sleepless, and above all, a relative who re-re-re-reiterates the true essence of family bonding and importance of relationships.
He is layered with all the dope that's archetypal for a Telugu hero.
We expect the characters to be well fleshed out, but many of them are brutally wasted with a blink-and-you-miss appearances. May be an editing blooper or a screenwriting glitch, few scenes miss the connect and pop up without any rhyme or reason. There are strokes and masterstrokes, but at times, the art of mixing the right colors to right proportion goes missing. The movie tries to stand tall on a wafer-thin story line with all the actors and technical departments firing their cylinders to prune its large canvas to perfection. Unlike SVSC, it doesn't hover on the middle-class woes, but rather touches in the ego clashes among rich and how the relationships can fall apart like pack of cards when they aren't nurtured properly. Brahmotsavam is a reflection of that very Addala who never tires of believing that anything to with 'family' will be a sweeping success.īrahmotsavam has all the staples starting from a rich extended family to the hero facing a crisis of falling short of relatives and goes on a quest to find his distant 'beerakaya suttam'. More of family bonding, more of relationships, more of egos and separations, more of uncanny comedy, and much more. The over world is a family and, now, world is a stage. His characters never stay silent and never talk straight. Director Sreekanth Addala has a distinction of introducing many tropes in a typical Telugu drama.
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